For the New Year, and the end of the old, I wanted to present a positive example of a couple that seems to make things work in many of the ways the problem-solving books I've discussed this year recommend.
Their story is not a conventional one, so if your sensibilities are offended by flawed people being held up as an example, read no further.
But, it's likely you enjoy reading regardless, since you're still here. So I'd like to discuss the 'twin' memoirs of Michael Chabon and his wife Ayelet Waldman.
Michael Chabon is a fiction writer inspired by the countless comic books of his childhood (he's 46.) His memoir, entitled Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son (2009, HarperCollins Publishers), is the more artfully and subtly composed of the two works. He was a writer first, before they met. She was a Harvard-educated public defender first, and after experiencing the clash between the pull of motherhood and the demands of her career, became a stay-at-home-mother and then a writer.
Waldman's memoir, entitled Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace (2009, Doubleday) is direct prose that engages you transparently. Waldman attracted significant media attention when in a piece called "Modern Love," she discussed loving her husband more than her children. While this couple is quite liberal in their politics and willingness to expose their mistakes, the idea that you attend to your own needs first, then your marriage, then your children, then everyone else is one I not only espouse in my own psychotherapy practice, but have seen talked about by rather conservative social commentators. Nonetheless, many people found this idea shocking in the age of child-centered education, parenting and everything else.
It's been said that the success of a marriage depends more on the maturity of the husband than anything else. If he still wants to be cared for the way his parents did in his childhood, he can never properly take his place as equal caregiver alongside his wife. As you read Chabon, you see how his father leaving the family taught him how to be alone, to appreciate and respect the support of his mother, who had to go back to school after her divorce, and how to share himself with his own children--indeed, to want to share himself with his children. When he (briefly married once before) meets Waldman--according to her memoir--he had already envisioned himself a stay-at-home-writer-father. In other words, he had thought out his adult family role by himself instead of leaving the construction of his family to some future mother of his adulthood.
Waldman, for her part, discusses how her dissatisfied, pre-feminist mother pushed her to seek equality with men in all things and sexual self-expression. Her resulting strength swung her between the extremes of boring, passive boyfriends and mutually exploitative one-night-stands. Meeting Chabon broke the cycle. (It is particularly funny to compare the couple's different accounts of the incentives they were given to go on a blind date together.) Her ambitiousness in nailing him down with an early marriage proposal was a counterpoint to his big-picture consideration of the usefulness of being a househusband. There was lots of chemistry (in anthropologist Helen Fisher's terms, she is probably a DIRECTOR/Explorer and he a NEGOTIATOR/Explorer, a highly complementary personality combination.)
Because Chabon was raised with the same 1970's gender equality education she was, Waldman found a man who cooks, cleans and nurtures the (four!) children naturally. So, she's not angry with him, and voila, she still desires him.
And, when she needed to make a career change, he was responsive and supportive of that which would make him the primary breadwinner for awhile.
To top it all off, Waldman is bipolar, given to extreme mood changes that make her at times rather unpleasant to be around. The couple, as couples researcher John Gottman would approve of, have found a way to fight "bombastically", get it out of their systems and then get back to liking each other before bed. There are 'repair attempts', and she takes her bipolar energy outside the house for awhile until she is "bored or tired." They have found "what works" for her bipolar contribution to the relationship.
Without using the exact words, Chabon credits his wife's extraversion with getting him (the introvert) out in the world. He works conscientiously to try to understand his two daughters' emerging femaleness, but in the end hands over what feels like an overwhelming difference to his wife ("go ask your mother.") While he silently takes himself to task for this, his wife remarks on just how different things are for her daughters than they were for her, although she still wants to support their sexual self-expression as her mother did hers.
Perhaps it is self-awareness in each of these writers that has made as much of a difference in creating an adult marriage as anything else. But clearly there is also the humor on both sides (comical descriptions of the changes in Waldman's body through childrearing, for example, that have nonetheless done little to diminish the couple's physical affection for each other.) And most of all, there is the element of having chosen well to begin with.